And the final pulse. 2006-01-26

Even more pulses. 2006-01-25

More pulses. 2006-01-24

Continuing with the pulse series. 2006-01-23

Some different pulses with feedback. 2006-01-22

Same pulses with some different processing and feedback. 2006-01-21

Some quiet pulsing noises. 2006-01-20

I took yesterday's setup and tweaked it just a bit to come up with something a little more ordered and darker in mood. 2006-01-19

Here's a very structured piano and a cello that's all over the place. This was made with phasing loops, MIDI arpeggiation and a nice little program that forces all the notes into one key. That was necessary for the arpeggiator to stay in tune with the rest of the piece. 2006-01-18

I'm using the same looping and delay setup as I have been in the last few days, but this time the input is my didjeridoo. The reverb comes from Laukyrkan in Sweden. 2006-01-17

And the last in the feedback series for the moment. 2006-01-16

And another in the series. Besides feedback, these tracks have a lot of multitap delays and three instances of Loopy Llama, one of them running backwards. 2006-01-15

And some more. 2006-01-14 We are now in the final month. There are only 30 more tracks to go.

Even more feedback. 2006-01-13

I'm pleased to announce that this project has led to another collaboration. The Austrian artist Evelin Stermitz has used the track 2005-09-16 as the soundtrack for her video art piece "Red Velvet." You can read more about her at her website.

Another feedback track. 2006-01-12

More in the feedback series. There will be several in a row based on the tracks from the past few days. 2006-01-11

Same processes as the last two days, but a very different input and result. 2006-01-10

Almost the same as yesterday. 2006-01-09

A bunch of noises in a big, glassy space. 2006-01-08