I've just interviewed six CTOs leading major Outside Broadcast companies for the publication SVG Europe. They've all had to overcome signification challenges to their industry during the Covid lockdowns, and they've all come out the other side with strong insights into the present and future of broadcasting. Read them here.

I wrote an article for tvtech looking at the impact of Covid lockdowns on remote production workflows: https://www.tvtechnology.com/features/how-covid-forced-broadcasters-to-go-remote-in-2020

I recently produced a series of explainer videos for IBC. And, I presented one of them myself. Check it out here: Tech Expert: Inside IP

My latest column on the state of the media industry is up at IBC 365. I discuss how we're the media industry is at an inflection point, one in which we have no clear view as to where we’ll end up, or who the winners will be. https://www.ibc.org/delivery/blog-crossing-the-inflection-point/2915.article

My latest column is up at IBC365.  In the fresh connected world of IP, do years of experience in broadcast engineering still count, or should veteran technicians just hang up their SDI cables and retire? https://www.ibc.org/tech-advances/blog-teaching-old-dogs-new-tricks/2853.article

My latest column over at IBC356 about the current state of TV in an historical context.  https://www.ibc.org/delivery/blog-tv-isnt-dead-its-evolving/2689.article

Here's my latest opinion piece at IBC365 on the way "good enough" is changing in the broadcast industry: https://www.ibc.org/production/blog-building-a-worse-mousetrap/2652.article

My latest column is up at IBC365.  I give my views on the increasing hype around the potential for AI in media. https://www.ibc.org/tech-advances/i-for-one-welcome-our-robot-overlords/2625.article

I've written an article attempting to make sense of the net neutrality debate. You can read it at IBC365 https://www.ibc.org/delivery/the-battle-for-net-neutrality/2633.article

I've written an article for IBC365 about BBC Wales' bold move into using IP transmission for video.  https://www.ibc.org/consumption/building-the-future-bbc-wales-all-ip-facility-/2044.article

An interview I did for the National Film and Television School https://www.nfts.co.uk/news/why-industry-needs-more-broadcast-engineers Top technologist and former BBC Scotland Head of Technology John Maxwell Hobbs has been appointed to lead the National Film and Television School Production Technology MA. The Masters has been introduced to tackle a shortage of broadcast engineers and fill a looming skills gap in the industry. We asked John about the reasons for the skills g

Netflix is now responsible for 30% of all internet traffic in the UK during peak viewing hours. Netflix reaches 1.5m UK subscribers for its internet video service | Media | The Guardian. Update: Either I misread the article originally, or it's been changed, but the 30% figure refers to US Internet traffic, and not the UK.

Pretty compelling evidence that most media piracy is driven by a search for convenience rather than a desire to get something for nothing. What we have is two giants battling over crumbs while ignoring the fact that they are standing on the deck of a ship that is both sinking and on fire. CBS/Time Warner dispute causes sharp rise in TV piracy | Company News content from Broadcast Engineering.

If the user interface is good, this could be the step Connected TV needs - at $35, it's a great price and by being so simple, it's far more flexible than an Apple TV. Google’s Solution to Bringing Online Video to TV | MIT Technology Review. Related articles* Why Google Chromecast isn't quite Apple TV... yet (macworld.com) * The World Isn't Ready For The Chromecast Yet (buzzfeed.com) * Apple TV vs. Google TV (cabletv.com) * Google's TV (buzzmachine.com) * How Chromecast Fits

It's not about the delivery mechanism, it's about the shows! TV Foresees Its Future. Netflix Is There. - NYTimes.com.

On Friday, I had the privilege of watching the opening ceremony of the Olympics in the BBC's Pacific Quay Studio B over the first ever live transmission of an event using Super Hi Vision, the high resolution broadcast technology created by NHK, the national broadcaster of Japan. Super Hi Vision is the first entry in a class called Ultra High Definition Television, which has a resolution of 7680 × 4320, which is 16 times the resolution of HDTV. Along with that is a 22.2 chann

Good article in Broadcast Engineering: Cloud PVR spreads over Europe. The "Cloud PVR" (Or DVR, if you're in the US) is a bizarre sort of thing, designed to solve a legal problem, not a technological one. It boils down to this - if a distribution company such as a cable of satellite operator, as opposed to a channel, allows you to replay a programme on demand that has been carried over their service, they then have to pay additional fees to the license owner(s) of that mater